By William Allen
In a chain of wealthy and compelling readings, William S. Allen indicates how an unique and rigorous mode of pondering arises inside Blanchot’s early writings and the way Adorno’s aesthetics relies on a relation among language and materiality that has been generally missed. in addition, by way of reconsidering the matter of the self reliant murals by way of literature, a valuable factor in modernist aesthetics is given a better serious and fabric relevance as a style of pondering that's summary and urban, rigorous and ambiguous. whereas examples of this sort of writing are available within the works of Blanchot and Beckett, the calls for that such texts position on readers in basic terms determine the demanding situations and the chances that literary autonomy poses to thought.
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Additional info for Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy)
Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy) by William Allen